HATAI VAZO

Description

With the origin of zehebin/gold, illumination, which ascribes the meaning of gilding to itself, initially became the companion of calligraphy and undertook decoration. It became the crown jewel of the arts of illumination, ornamentation, embroidery, embellishment and even weaving, which allowed the palace to develop and produce superior works by means of the miniaturists, and it aspired to the name given to the Islamic-origin book decoration arts and to the source of the Ottoman decorative arts. Illumination, which is the hallmark of the difficult, rich and elegant craftsmanship of handicrafts, has stylized roses, daffodils, tulips, hyacinths, irises, haseki earrings, dandelions and spring flowers with all kinds of creativity and sincerity; In addition to the famous gold and dark blue, he painted illuminations in orange, green, cherry, pink, yellow, magenta, black and various tones of these colors.

From stylized nabâtî/hatayi; It embraced many styles, styles, patterns, motifs from penç, goncagül, animalistic motifs/rumiye and many more. With the relief of watching both nature and the artist in his motifs, of course, giving priority to the Qur’an, he decorated manuscripts, plates, edicts and tugras, book bindings, miniatures, urns, boxes and chests, with the main thing, text, message. producing simple and mature ornamental masterpieces from its own richness without any competition, it has also donated talismanic shirts, tent poles, weapon covers and arrow containers.

The Hatai Vase, which takes its name from the stylized shape of the vertical section of a flower, is handmade in amber colored glass, using gold gilding in all relief patterns; It is presented with the handwork and mastery of Paşabahçe. The production of Hatai Vase is limited to 2,000 pieces.

Cleaning Suggestions: Wipe with a dry cloth.