SAZENDE VAZO

Description

With the origin of zehebin/gold, illumination, which ascribes the meaning of gilding to itself, initially became the companion of calligraphy and undertook decoration. Illumination, ornamentation, embroidery, embellishment and even weaving arts, which the palace gave way to the development and production of superior works by the miniaturists, became the crown jewels; It aspired to the name given to the book decoration arts of Islamic origin and the source of the Ottoman decorative arts. Illumination, which is the trademark of the difficult, rich and
elegant workmanship of handicrafts; He stylized roses, daffodils, tulips, hyacinths, irises, haseki earrings, daffodils and spring flowers with all kinds of creativity and sincerity; Apart from the famous gold and dark blue, orange, green, cherry, pink, yellow, magenta, black and a wide variety of these colors painted in tones. From stylized nabâtî/hatayi; It has embraced many styles, styles, patterns, motifs from penç, goncagül, animalistic motifs/rumiye and many more.

Watching both nature and the artist in their motifs with the comfort it gives, of course, giving priority to the Qur’an, it decorated manuscripts, plates, edicts and tugras, book bindings, miniatures, urns, boxes and chests; He produced simple and mature ornamental masterpieces from his own richness without ever competing with the original, the text, the message, and he also contributed talismanic shirts, tent poles, weapon covers and arrow containers. With its interpretation of classical illumination patterns and its design on the classical vase form, gold gilding is used in all relief patterns and in handmade glass; It is presented with the handwork and mastery of Paşabahçe.

The production of the Sazende Vase is limited to 2000 pieces.

Cleaning Suggestions: Wipe with a dry cloth.